Directed by Josh Trank, written by Max Landis, starring Dane Dehaan, Alex Russell, Michael B. Jordan, and Michael Kelly - Rated PG-13
High school kids with super powers? It's a lot better than it sounds.
Found
footage films like The Blair Witch Project and Cloverfield always interest
me. Sure, the handheld aspect can make
them a dizzying experience at times, but it adds a realism that makes the films
quite effective. Traditionally this type
of filmmaking has been used for horror films (and it works well), but
Chronicle is the first superhero movie to be filmed this way and it turns out
this genre is a perfect fit for the style.
It is basically a found footage film about three high school kids who get
super powers. It’s such a
straightforward and interesting premise one wonders how it took this long for a
film like Chronicle to get made.
As with most found footage films, the first problem the film has to tackle is to explain why a character would be filming their life. Technology has mainly solved that problem (more on that later) what with all the security cameras installed, cell phone cameras, and a generally self-obsessed culture of video blogs and youtube videos. You still need to have a reason for a character to start filming every part of his life, though, and Chronicle comes up with a plausible enough reason. Andrew (Dane DeHaan), the film’s loner protagonist, is a senior in high school with a mother on her deathbed (literally) and an out of work father who takes out all of his problems on his son, sometimes physically. Andrew decides to start documenting everything that happens in the house and his inner film director starts to come out so he takes his camera everywhere.
Soon
enough, Andrew’s camera captures a very strange occurrence. When he’s dragged to a rave party in the
boonies by his cousin Matt (Alex Russell), Andrew and Matt, along with the most
popular kid in the school, Steve (Michael B. Jordan), stumble across a mysterious
hole. Upon investigation, they notice a
strange sound reverberating from it and decide to explore it further (why
not?). Anyway, something weird is down
there and after making contact with it the three learn that they have
telekinetic (among other) powers. That
is certainly a good reason to start recording your every action.
What
follows is the origin story of a group of superheroes. Origin stories are getting kind of boring,
though, due to the ridiculous amount of them in recent years. But we’re not sitting around waiting for
Peter Parker to get bitten by a radioactive spider. Plus, Parker decided to instantly use his
powers for good. There are real high
school kids; they want to have some fun.
That’s what makes Chronicle such a good time. This isn’t a realistic movie, but the way the
kids react to their powers certainly is.
They use them to pull Jackass style pranks, impress girls, and excel
at beer pong. It’s flat out funny at
times. But it does get darker and then
the action starts.
Chronicle
holds up as an action film thanks to the found footage style. CG can sometimes look goofy in this style
(and it certainly does at times in this film), but for the most part it is much
more effective when captured on a handheld camera or security footage. The ambition of the film may stretch too far
at times, but for the most part all of the action is believable and
exhilarating. All of the telekinesis
elements look great and the flying sequences are amazing.
If
Chronicle has a true weak point, it lies in the acting department. The actors do come off as high school kids
most of the time, especially when they get overly excited about things, but
during the dramatic moments, they leave something to be desired. As a light-hearted film, they are fine, but
if there is meant to be an emotional connection made to these guys, then they
are quite weak. The film thrives despite
this, though.
Overall,
Chronicle is a surprisingly good time.
Director Josh Trank handles the found footage genre in a refreshing way,
and Max Landis’s screenplay fits into the superhero genre in a satisfying
way. The combination of telekinesis and
found footage is melded perfectly as it allows the camera to float anywhere. Sure, there are questionable moments (and
that camera seems to be a little too resilient), but it all comes together
quite nicely. Plus, the found footage
element opens up this film to a discussion about how filmed our society is
these days.
Chronicle
may have been dumped in the early year wasteland of big releases, but don’t let
that fool you. This is an ambitious film
that accomplishes an impressive amount of what it sets out to do. The acting is nearly laughable at times, but there’s
much more right with this film than wrong.
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