Despite the Idiotic Title, "Silver Linings Playbook" Is Worth Watching

Silver Linings Playbook - Written and directed by David O. Russell, starring Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, John Ortiz, Shea Whigham, Dash Mihok, and Chris Tucker - Rated R

 

 

   

Writer/director David O. Russell made one of my favorite films a couple of years ago with The Fighter.  I was impressed with the style, the music selection, and, most importantly, the story that was ingrained with the location.  Oh, and the great performances helped a bit, too.  Now with Silver Linings Playbook, Russell has created a movie on the same level as The Fighter, though Silver Linings is a bit weaker than that great film.

 

Before a critique of this film can truly begin, I have to mention the idiotic title of this film.  Silver Linings Playbook.  When people hear or read that title, they have no clue what you’re talking about, even if they’ve seen the previews.  It’s just such a needlessly stupid title.  This is not as bad as Russell’s other effort, I Heart Huckabees, but it’s close.  The problem with these quirky titles is that it drives people away.  Hell, the title made me want to hate the movie before I saw it.  There’s a very easy fix for this.  Drop the Playbook part.  Yeah, football factors into the film quite a bit, but this film could just as easily been called Silver Linings and lost nothing.  You can tell the film company felt the same way because in every preview I have seen, the narrator drops Playbook from the title, and the word is extremely smaller than the other words on the poster.

 

Title aside, this is a fun, touching film.  Bradley Cooper plays Pat, a former teacher who has a mental breakdown when he catches his wife cheating on him.  He’s recently out of a mental hospital and is trying to get his life together in the hopes of rekindling his marriage.  When he meets fellow troubled person Tiffany (Jennifer Lawrence), things get a bit more complicated. 

 

This is a film that hinges on performances, as both leads are mentally unstable.  Cooper does a very good job with a character that could easily become infuriating to watch.  He gets into these rapid verbal trains of thought that can be tiring, but he handles them quite well (the direction from Russell helps).  He has this natural charisma that makes it impossible to hate him no matter how rude or exhausting he becomes.  It is truly one of the year’s best performances. 

 

Jennifer Lawrence continues her streak of great performances with Silver Linings.  She doesn’t get to do as much as Cooper here, but she has plenty of emotionally heavy scenes that she carries with ease, and she complements Cooper quite well.  The rest of the cast, including Robert De Niro, Jacki Weaver, Shea Whigham, John Ortiz, and Chris Tucker, is fine, but this film belongs to Cooper and Lawrence.

 

Writer/director Russell makes it an easy film to watch, too.  This could be a darkly serious tale of mental health, but Russell is beginning to trademark this serious-funny element.  In The Fighter, Christian Bale’s addiction was treated seriously, but there were also moments of comedy.  It’s awkward, but it’s life.  Plenty of times I found myself laughing during Silver Linings even though I knew it was kind of wrong, and I think that was the intent of the filmmakers.  Also, Russell has developed this style of following the characters with the camera that is very effective, especially when you’re dealing with mentally troubled characters.  When Pat is about to lose it, the camera swirls around him as he tries to rein things in, only to lose control.  It’s not in-your-face style or anything; it creates a sensation similar to what the character must be going through.

 

If Silver Linings ever loses anybody, it might be with the slightly goofy plot.  The film’s final moments hinge on the result of a football game and a ballroom dancing contest.  As weird as that is, it gets even goofier as the characters plan out these moments and literally root for their side to win.  I suppose it was meant to be figurative as they cheer for their sports but are actually cheering for their loved ones, but it still felt a little stupid at times.  Also, the plot element with the police officer who shadows Pat felt a bit incomplete and, at times, ridiculous.  I would have to spoil a few things to get into that point, so just look to the end of the review if you’ve seen the film and want to know what I’m talking about.

 

Aside from those shortcomings, Silver Linings is a fine film.  It’s not going to make my top ten list or even my honorable mention (it just didn’t grab me like The Fighter did), but it’s certainly one of the better films to come out this year, and it deserves a larger audience than it has gained so far.  If you get a chance, check it out.  You’ll laugh, maybe cry, stare in bafflement, get annoyed, you know…life stuff.  Just try to ignore that stupid title.

 

Random Thoughts (SPOILERS)

 

All I want to get into here is that cop, played by Dash Mihok.  I enjoyed Mihok's performance and everything, but I was left very confused by the character's presence.  So the cop is set up as this neighborhood officer who is supposed to keep an eye out for Pat since he's just been released from the mental hospital.  First off, does that actually happen?  Is Philadelphia such a safe city that police officers can be assigned to body guard duty for random citizens?  That rung completely false to me.  Things get extremely strange when the cop just happens to show up every time Pat starts to mess up.  if it's at his house, fine, but how was the cop so close to Pat outside the movie theatre that he could step in so quickly?  Was he really just following Pat around?  It got to the point that I thought the cop was part of Pat's subconscious and the cop represented his mind physically attempting to calm the situation down.  Maybe that is the case, but it's certainly never explained that way, and I feel that there should have been more explained concerning the cop.  But maybe it's just me.

"The Fighter"

The Fighter - Directed by David O. Russell, written by Scott Silver, Paul Tamasy, and Eric Johnson (story by Tamasy, Johnson, and Keith Dorrington), starring Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, and Jack McGee - Rated R

Much like Bardem before him, Bale gives the standout supporting performance of the year.

The Fighter has all the elements of a boxing drama that might lead people to worry about it being a clichéd, dull retread of every boxing movie from yesteryear, but the film dashes aside the notion that a boxing drama must be 100% drama and ends up being a surprisingly light, effective film featuring an amazing performance from Christian Bale.

The film is the true story of “Irish” Micky Ward (Mark Wahlberg) and his older brother/trainer, Dicky Eklund (Bale). The focus of the film is on Micky and his battle to get out of his brother’s shadow and become the champion his brother never was. That sounds simple and basic enough, but the family drama is what makes this film truly effective. Dicky still believes he has a chance of a comeback, and it seems like the rest of his family does as well. No one, aside from his father George, seems to care about Micky’s career.

It’s easy to see why Dicky gets all of the attention. Micky is the quiet type, just sitting back and letting everyone else take care of him. Dicky, on the other hand, is outspoken and charismatic, though he suffers from crack addiction. The film becomes interesting here for two reasons: the treatment of the addiction and Bale.

Drug addiction is usually shown in a very negative light, with terrible consequences. In The Fighter, though, it’s handled a bit differently…with a bit of comedy. Don’t take that the wrong way, the effects of drug use are still shown, but some of Dicky’s antics are humorous. Perhaps the filmmakers didn’t intend for some moments to be funny, but the end result is humorous at times. This is not a bad thing. Drug abusers in films tend towards the melodramatic; it was refreshing to lighten it up just a bit.

The main reason the character of Dicky works, though, is Christian Bale. Bale has given many impressive performances, but he truly inhabits this character. It is obvious from the first frame that Bale is doing something amazing in this film. Bale made every scene he was in better not just with his accent but with pure physicality. There is an element of weight loss, but it’s the way Bale moves in each scene. Whenever he’s talking to a character in a two shot, I kept wondering what Bale was up to when the camera wasn’t on him. While his character doesn’t get much action in the ring, he still manages to turn every conversation into a simulated boxing match. If he doesn’t get the Oscar for Supporting Actor it will be a travesty.

The other performances pale in comparison to Bale’s, but that doesn’t mean they aren’t good. Wahlberg is decent and is notable for the fact that he is back in his range playing an athlete. Amy Adams handles herself well as Micky’s new girlfriend, though I saw her as just a more serious version of her character in Talladega Nights. Jack McGee has quite a few fun moments as George. And Melissa Leo gives yet another strong performance as Micky and Dicky’s manager/mother.

Leo represents the real conflict of the film. She favors Dicky over Micky no matter how many times Dicky screws up. The sincere shock on Leo’s face when anyone stands up to her ridiculous favoritism is enraging and effective. That, along with other situations, makes The Fighter an easy film to get caught up in and enjoy.

One aspect that is hard to truly enjoy is the boxing. Some of it is handled decently and the fights are easy to follow, which is the best you can expect from a film about boxing. Isn’t it time that boxing films ditch the Rocky sound effects, though? Every punch, even blocked punches, carried an overly loud sound effect that became distracting at times. Visually, though, the fighting is exciting and occasionally interesting.

The film is engaging almost throughout and because of that it is easy to get past some of the more melodramatic scenes. The light tone stays intact for the most part, though, only tilting off the rails momentarily.

The nearly comical tone of the film and the realistic family struggles make this an enjoyable film. Christian Bale elevates it to one of the year’s best. It can’t be stressed enough that Bale has given arguably the best performance of his career; no small compliment when you consider Bale’s past roles in American Psycho and Rescue Dawn. Enjoy The Fighter, but be awed by Christian Bale.

Random Thoughts (SPOILERS)

I liked the framing device of the documentary. Good way to bookend the film, especially since it starts with Bale on his own, bringing Micky in and ends with Dicky getting up to leave the camera alone with Micky.

The melodramatic scene I referenced above is the part when Dicky’s toddler son wants to watch the documentary. I don’t know, it just seemed over the top at that point.

I dug the soundtrack; it helped keep the tone consistent and it placed the film in its time period well (except for that Chili Peppers' song from Stadium Arcadium, though it sounded right for the scene).

It was interesting that Mickey O’Keefe, Ward’s real life trainer, played himself in the film. That role was not a cameo. I was impressed with him enough to look him up and find his other roles. I was quite surprised to find out who he was.

The funny aspects of drug abuse, just to be specific, were Dicky’s escape route from the crack house (out the window into the trash) and when he knocked out George. Describing it only makes it sound more serious, but those who see it will understand that it could be viewed as funny.