Top Ten (and then some) of 2012

I am going to give the same warning for this top ten list that I did last year: these are my top ten (and then some) “favorite” films of the year.  I am in position to claim one film is technically “better” than any other film.  Sure, I might be more likely than most to comment on filming techniques, score, acting, etc., but at the end of the day, or year, I still simply pick which movies I enjoyed the most.  Was Anna Karenina more impressive from a filmmaking standpoint than Lincoln?  Yes, absolutely.  But while I enjoyed Anna Karenina, it didn’t contain subject matter that I found particularly interesting nor did it have any performances that match up with Lincoln.  The point is that these top ten lists that flood the internet and magazines around this time of the year are all subjective.  It’s all personal taste.  That said, I have kind of a boring list, as my top three films are on nearly all of the top ten lists.  I’m not one to lie just to be different, though, so I stuck with the ten films I enjoyed the most this year.  I found 2012 to be a great year for movies, which is why I also added a few comments for five more films, and have a lengthy honorable mention list.  So here it is.  Feel free to completely disagree with me.  All I ask is that you keep an open mind, especially about the movies on the list that you haven’t seen.  It’s always okay to hate a movie, but only if you’ve seen it.

Also, I did miss out on a handful of films that some people have been praising, such as Holy Motors, End of Watch, Rust and Bone, Alps, and Compliance.  

1. Lincoln
 


I honestly did not expect this to end up as my number one film of the year.  I knew Day-Lewis would give a great performance, but I was skeptical of Spielberg.  I was afraid this was going to be a safe, plain patriotic film.  I wasn’t entirely wrong, but I was floored by how effective, and entertaining, the film was.  Many have complained of the film being boring, and I understand that, with all of the politics and long conversations, but I love that stuff.  While some were falling asleep, I was paying close attention.  The entire film works for me.  But it was Daniel Day-Lewis’s performance that sealed the deal for me. 

 

2. Django Unchained



An extremely close second because of the entertainment value in Quentin Tarantino’s edgy film.  Some are offended by the very premise of the film, but what can I say?  It’s kind of hard to offend me.  I enjoy movies and that is what this is: a very enjoyable movie.

 

3. Zero Dark Thirty



An important but riveting film.  It’s catching a lot of flak concerning torture and all that, but if you can get past that, this lengthy film expertly recreates the nuts and bolts of the manhunt that brought Osama bin Laden to justice.  More importantly, though, the film leaves the viewer with some questions about the war on terror and how it’s being waged.

 

4. The Master

 

Paul Thomas Anderson is a filmmaker I will always find interesting, and that is the basis for this pick.  Some will watch this and absolutely hate it, and I understand that.  It’s a strange film.  I started to doubt my enjoyment of the film weeks after my initial viewing, but watching it again recently, I realized once again that I love this movie.  It’s endlessly fascinating to me.

 

5. Prometheus

 

This is one of my controversial picks and the one that will have some people completely dismiss me.  I don’t know why everyone on the internet chose this film to nitpick incessantly.  I suppose it didn’t live up to their expectations, whatever those were.  I enjoyed the film very much, though.  It’s a science-fiction film with a brain.  Yes, with a brain.  Most people criticize the film because of the “stupid” things the characters do, but that says nothing about the themes of the film.  I don’t know, maybe I’m just easily pleased, but I thought director Ridley Scott’s return to sci-fi was entertaining and thought-provoking.  Also, this is a sci-fi film that relied surprisingly heavily on practical effects.  In today’s movie world, that is something that should be appreciated.

 

6. The Dark Knight Rises

 

Another film people are now ripping to shreds because of plot holes online.  (Because the first two films of the trilogy were documentaries, right?)  I thought this was a pleasing and fitting conclusion to my favorite superhero series of all time.  I know the battle was between this and The Avengers, but I liked both.  I just enjoyed this one more.  And as with Prometheus, the amount of practical stunt work and visual effects deserves much more credit than it has received thus far.

 

7. Cloud Atlas

 

This film could have easily been a complete mess (and some would argue that it is), but somehow the filmmakers took a complex book and compiled an amazing film experience out of it.  It gets bonus points from for the sheer ambition of it, but more than that, the film grabbed me and made me care about what was happening. 

 

8. Wanderlust

 

This pick might leave people simply asking, “What is Wanderlust?”  Unfortunately, this hilarious comedy failed to find much success at the box office or on home video.  I think this movie is worthy of cult status and hopefully time will rectify that.  Maybe not, though.  It is a truly absurd film, and is certainly not for everyone.  But in a year filled with great comedies, I found this one to rise above the rest.  It features that rare self-aware comedy that never has to sink to the level of actors winking at the camera.  If you like comedies off the beaten path, check this out.

 

9. Looper

 

I’m a sucker for sci-fi and even though the paradoxes of time travel films tend to bother me, this film does it right.  Joseph Gordon-Levitt is terrific and his Bruce Willis impression is worth watching alone.  Thankfully, writer-director Rian Johnson makes this stylish, interesting film much more than a lengthy Willis impression.

 

10. Lawless

 

This is a film that I feel has been unfairly forgotten by year-end lists and awards.  This story of bootlegging in Virginia is an interesting period piece that features a great cast.  Definitely one of the most crowd-pleasing films on my list (I have yet to talk to someone who did not like it).  I really just think this film needs to find a larger audience because it is a very fun film.

 

Five close picks

 

The Cabin in the Woods – Any horror movie fan should check this horror-comedy out.  Don’t expect an actual horror movie, though.

 

Moonrise Kingdom – Wes Anderson being Wes Anderson.  At this point you either like it or you don’t.

 

The Avengers – A truly entertaining, fun time.  I just like Batman more.

 

Argo – Terrifically tense film that is getting plenty of love for Affleck’s directing and rightfully so.

 

Skyfall – An extremely satisfying Bond film that might even please old-school fans…might.

 

Honorable Mention

Flight, The Grey, 21 Jump Street, Ted, Anna Karenina, Room 237, and Silver Linings Playbook

"Lawless"

Directed by John Hillcoat, written by Nick Cave, starring Tom Hardy, Shia LaBeouf, Jessica Chastain, and Guy Pearce - Rated R

Surprisingly fun movie from the director of The Road...that just doesn't sound right for some reason.

 

 

I’ve been following the careers of director John Hillcoat and writer/musician Nick Cave since I saw their phenomenal film, The Proposition.  Hillcoat followed that film with The Road which, while divisive, I found to be very engaging, if not extremely depressing.  The Proposition was certainly depressing as well, so I was surprised to find that Hillcoat and Cave’s latest collaboration, Lawless, was a fun movie.  Don’t get me wrong, Hillcoat’s previous films are enjoyable, but they are miles away from fun. 

Lawless lends itself to a fun tone because of the true story/legend of the Bondurant family of Tennessee during the Prohibition years.  The story of the Bondurant brothers is certainly violent, but it’s handled in a folksy, old-fashioned tall tale kind of way that left me with a smile on my face.  The story is a lengthy tale of a backwoods Virginia bootlegging family that had to deal with everything except actual law enforcement.  The setting of the film is truly lawless, as the cops seem to be much more villainous than the criminals.

The cops as the bad guys routine is nothing new.  If anything, Lawless makes it much simpler and removes any trepidation from the viewer.  Typically, when I find myself rooting for the lawbreaker of a film, I have to stop and deal with the fact that I am rooting for someone who is causing others harm (the first seasons of “Breaking Bad” come to mind).  Lawless can sidestep that because of the law that is being broken.  Most people, at this point, find Prohibition to be a ridiculous moment in our history.  It didn’t stop anyone from drinking and it gave rise to mass crime and corruption.  With that mentality, you can easily look to the cops as problems rather than solutions. 

The Bondurant boys of the film are just making their way in Franklin County, Tennessee.  It’s just that making their way involves making moonshine.  In a typical movie, the main issue would be cops busting up the stills.  That’s still the an issue, but the cops are only after the Bondurants because they don’t want to cut a deal with a mobster who wants to consolidate all off the alcohol he sells in the big cities.  The leader of the Bondurant clan, Forrest (Tom Hardy), is stubborn to say the least and decides to take the family down a different path, and brothers Howard (Jason Clarke) and Jack (Shia LaBeouf) have to accept that.  Creepy crooked cop (hello, alliteration) Charlie Rakes (Guy Pearce) represents the forces attempting to stop the Bondurants.  What follows is less backwoods war and more lighthearted, folksy goings-on scattered with extreme violence and surprising comedy. 

Tom Hardy creates most of the comedy, and violence for that matter, even if he is not the focus of the film (unfortunately).  He mumbles and grunts through each scene and it makes for some very funny moments.  He is also a very imposing character; this is the same guy who played Bane in The Dark Knight Rises.  But because he is a man of grunts rather than words, the movie relies on Jack to progress the story.

Shia LaBeouf does a fine job as Jack; it’s just that he is not nearly as interesting or talented as Tom Hardy.  This is certainly a step up from Transformers, though.  He plays a typical LaBeouf character as Jack wants to rush headfirst into everything and prove himself to anyone who is willing to pay attention.  Unfortunately for all involved, Guy Pearce is the person paying attention.

Pearce (a Hillcoat regular) livens up the screen with his portrayal of a strange, sadistic big city cop.  Every scene featuring Pearce is cringe-inducing, but he manages to keep it from becoming a moustache twirling villain role.  He is definitely the guy to root against, but he’s too weird too hate outright. 

Mia Wasikowska and Jessica Chastain (the woman who is in every other movie now) round out the cast as the love interests of two of the brothers.  They are a bit more than simple love interests, but they get the least to do in the film. 

Gary Oldman is also in the film, but I only mention him because I thought it was strange how he was plastered all over the marketing of the film yet his role is little more than a cameo.  His few scenes are great, though.  A little Oldman is better than none at all, I suppose.

The real star of the film is the writing.  This could have been a by-the-numbers “root for the outlaws” movie.  There’s nothing wrong with that, but it’s been done so many times.  Instead, the writers (and reality, since this is based on a true story) injected some tall tale humor into the mix.  I don’t want to ruin anything, so I’ll just say that there are a few moments in which severe violence happens and the resolution of said violence is not what you might expect.  It makes the movie slightly ridiculous a few times, but it is a welcome kind of ridiculous.  I laughed aloud multiple times watching this film, and I believe the filmmakers wanted that response.

Overall, Hillcoat and Cave have created an interesting film.  It’s much lighter than their previous collaboration, but if anyone needed to lighten up for a next film, it was these two.  So check it out when it comes out on video, because this is about as inviting and crowd-pleasing as Hillcoat and Cave are going to get…and that is definitely a compliment.