Tequila Sunrise - Arrow 4K

Tequila Sunrise (available for pre-order now) was a rental store staple for me that I would always see on the shelf as a child, but never rented because, you know, it’s not exactly a kids movie based on that title. When I finally checked it out years later as a big fan of both Mel Gibson and Kurt Russell, I came away disappointed. When this new release from Arrow was announced, I decided to check it out because maybe I was still too young to appreciate it that first time. Turns out this is just okay. 

This is a movie completely reliant on star power. Without Gibson, Russell, Pfeiffer, and Julia I doubt this movie is remembered at all. The fact that it’s not that remembered today even with this cast says it all. 

Written and directed by Robert Towne (the guy who famously wrote Chinatown and much less famously wrote and directed Ask the Dust), Tequila Sunrise is about lifelong friends on opposite sides of the law who both fall in love with a restaurant owner. All the inherent conflict should make this very compelling, but it all seems uneventful. There’s a low energy to the film that makes the high stakes of it all feel low. 

But all these stars are in their prime and are so watchable that it still ends up being okay. It’s just that it should be great. Perhaps my expectations were too high and misplaced. The love triangle element isn’t that interesting to me, and that takes up more of the plot than the drug smuggling. I simply didn’t care who Pfeiffer ended up with, mainly because Russell is a bit of a shithead in this, and it doesn’t make much sense why she’s giving him any chance at all. But then again, her other option is a former drug smuggler who nearly gets her killed for simply knowing him, so maybe she just has poor taste in men?

Beyond that, I guess I wanted more of a Michael Mann experience, in which the film goes on vibes more than plot. I needed a Miami Vice scene in which some intricate detail is being explained but the sound drowns out as a character stares off into the ocean. But Towne isn’t capable of that since he’s a screenwriter first, and a director second. 

Despite that, Tequila Sunrise has its beautiful moments. It better, with a title like that. The standout scene is a dialogue between Russell and Gibson during a sunset. If more scenes were like that, I would have at least enjoyed this more as a visual experience, but moments like that are rare. 

All that written, this doesn’t get an Arrow 4K if it isn’t beloved. People clearly like this movie; I wish I was one of them. Maybe it’s as simple as being too young when it first came out. Who knows? But one thing’s for sure, I’m done trying to love this movie.

Random Thoughts

Despite my misgivings, I must admit the film does feature tequila, sunrises (more sunsets, though), and Tequila Sunrises (Mel Gibson's character drinks them). So there's that.

My main memory of this film beyond seeing it at the video store is its appearance in Interview with the Vampire. Louis is seen leaving a screening of Tequila Sunrise before he finds a decrepit Lestat. It’s part of him talking about being able to see the sun again through movies. I get that, but does that mean he watches any movie with "sun" in the title? What a fucking dildo.

Transfer and Special Features

Arrow is one of those distributors you can trust to handle a film with care, and that’s the case here. That sunset scene looks great, as does the rest of the film.

The standout of this new release was a new interview with producer Thom Mount (there’s also a commentary with him, but I don’t care enough about this movie to check that out). He’s as low energy as the movie, but he’s candid as hell. He acknowledges that current Mel Gibson is not great, but back then he seemed great! Somehow he brings up merkins and pasties in regards to the Pfeiffer and Gibson sex scene. And he says Robert Towne was so checked out that famed cinematographer Conrad Hall was brought in not only as DP, but also to shadow direct when Towne was late to set (which was a daily occurrence).

An interview with second AD Robert Roda confirms the Towne stuff as he talks about it being rare to have a second AD at all. It sounds like this was a team effort when it came to directing.

There’s a retrospective about Towne’s entire career, as well. 

And there’s a truly odd interview with Lala Sloatman. The interview itself isn’t odd, as she goes through her career, and her time working on the film. It’s odd because she plays “Sin Sister #2,” a character with five seconds of screen time. I really want to know why they tracked her down for this. She’s related to the Zappas and seems to know a lot of famous folk, so maybe she’s friends with the producer of this new release or something. 

There’s also the usual Arrow stuff like a reversible sleeve and a collectible booklet with essays about the film.

"Dark Shadows"

Directed by Tim Burton, written by Seth Grahame-Smith and John August, starring Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, and Eva Green - Rated PG-13

"Then we shall have spirits enough to fill a schooner's hull!"

I’ve always found the Tim Burton/Johnny Depp films to be hit or miss.  What’s strange is that I’ve ended up enjoying the misses more than the hits.  I am not that crazy about the popular films the duo has created.  My favorite film they’ve made is the under seen Ed Wood.  That fantastic film is a far cry from the plastic, bubble gum worlds of Alice in Wonderland and Charlie and the Chocolate Factory.   Yet the latter (and later) films were extremely profitable.  I suppose it’s fitting that Dark Shadows is slightly bombing at the box office, because I enjoyed it. 

At first glance, Dark Shadows appears to be another colorful, yet dull film.  While the film hasn’t unseated Ed Wood as my personal favorite, this film surprised me very much by being funny and just dark enough to rise above the cartoonish worlds of the previous films. It is not a perfect film and most likely will never be considered among Burton nor Depp’s best, but the 1970s setting, Depp’s performance, and a bit of violence elevate Dark Shadows above previous efforts.

While this film is based on the supernatural soap opera of the same name, it is doubtful that many people are flocking to the cinema because of that.  No, the main reason that this film will make any money is Johnny Depp.  If Depp is the only reason you are watching, then you won’t be disappointed.  He gives his funniest performance in years.  Sure, Depp got to be weird and all with Charlie and Alice, but here he gets to be properly funny as well.  The set up of Dark Shadows allows Depp to energize the film. 

Depp plays Barnabas Collins, a cursed vampire who was buried away from his family and the world for nearly two centuries.  Thanks to some unlucky construction workers, Barnabas is unleashed back into the world.  Barnabas is astonished, not only by the changes time has made, but also by the disrepair his family has fallen into.  The basic plot of the film is Barnabas’s attempt to bring the family back to prominence and right some wrongs from his past. 

As a fan of the original series (I watched reruns with my mom when I was little), I was a bit concerned with this adaptation at first.  The soap opera was a bit funny, but never on purpose.  That was what I enjoyed about it.  It was a super serious soap opera about vampires, witches, werewolves, and ghosts.  Burton decided to take the funny aspect and bring it out in the open.  I didn’t like this idea at first, but after watching the film, I think that this was the right choice. 

The fish out of water gag might be overdone (especially since that’s the concept of  The Dictator as well), but there are still good laughs to be had from that scenario.  Are they “easy” jokes to make?  Absolutely.  But they still made me laugh.  Who better than Depp to spout off 18^th century answers to 20^th century questions?  The arrogance in his voice coupled with the archaic vocabulary cracked me up many times. 

Viewers who find that type of humor outdated or annoying should not fear, though.  Dark Shadows isn’t a film that consists of Depp walking around commenting on electricity and cars.  He’s also a vampire and there are some darkly funny moments.  Thankfully, the filmmakers made Barnabas a true vampire.  He kills many people in the film and is not shown to be a villain at all, even though the people he murders are mostly innocent.  That provides a bit of edge to a film that was presented to be rather goofy. 

The 1970s setting is a blessing and a detriment to the film.  The time period allows for some of the goofiest elements of the film (lava lamps and disco balls), but it also allows for a slightly gritty style since Burton attempted to make the film look as ‘70s as possible.  In fact, Dark Shadows could be considered a period piece.  The music of the time features prominently in the film as well, and the soundtrack provides a very ‘70s feel. 

The setting and tone are vastly important to the film, but this is still Depp’s movie and the film is better each moment he is on screen.  The almost ageless Depp is clearly having fun with this role and while you can find shades of Captain Jack Sparrow in there, it is still a performance all its own and the bright spot of the film.  Dark Shadows features fine turns from many other actors, as well, but no one stood out to me.  The sheer amount of supporting players may be the biggest problem with the film, actually. 

A film based on a soap opera has the tough task of deciding which storylines to embrace, since there are literally hundreds of possibilities.  Dark Shadows attempts a few too many and kind of falls apart near the end.  Some of the events, especially in the end, seem random and rushed.  An element involving a werewolf is brought up and dismissed within three minutes and it was all completely unnecessary and served only to complicate the already busy finale.  It’s almost as if the writers were told this would be a one-off so they needed to cram as much stuff in there as possible.

The forced storylines don’t ruin the film, though.  Despite the over the top action of the ending and a flat out stupid fight/sex scene, Dark Shadows provides a fun ‘70s feel, a dark undertone, and a fine performance from Johnny Depp.  It’s not a groundbreaking collaboration between Burton and Depp, but it’s definitely one of their better films.

Random Thoughts (SPOILERS)

Seriously, the werewolf crap was just stupid.  I know there were werewolves in the series, but they just tossed that in during the last five minutes.  And having Chloe Grace Meritz say, "Yeah, I'm a werewolf.  So what?" (or something like that) doesn't excuse the laziness of it.

And what about the stuff with David?  He was the main plot point for the first third and then he disappears.  His father is quickly dismissed as well.  Seems like there was more of a story there than there was in the whole, "Let's rebuild the cannery" storyline. 

I actually enjoyed the hippie scene, even though it was an easy gag.  I loved that he still killed them after their talk.